News

Jessica Loughlin on the virtues of stillness (Art Guide Australia)

By Giselle Au-Nhien Nguyen August 5, 2022 Giselle Au-Nhien Nguyen reviews Jessica Loughlin's solo exhibition of light at JamFactory Adelaide in the Spring/Summer issue of Art Guide... Read more

Layo Bright "NXTHVN: Undercurrents" (NY Times)

By Seph Rodney July 1, 2022 “Care, growth, abundance, rebirth, loss, dislocation, the forgotten” are what the sculptor Layo Bright says are the key concerns that... Read more

Immersive Geometries: Anthony Amoako-Attah (ColourHive/Mix Magazine)

June 28, 2022 Anthony Amoako-Attah manipulates glass to look like woven fabric by screen printing and kiln-forming with glass powders. His work explores... Read more

The Coburg Prize winners 2022: Æsa Björk (Glass Quarterly)

June 1, 2022 Andrew Page disusses the 2022 Coburg Prize for Contemporary Glass in Glass Quarterly Summer Issue No. 167. The 2022 Coburg... Read more

Tg – To Cohere and Coalesce: The Movement of Kilnforming (Neues Glas)

by Helen Lee May 1, 2022 Neues Glas - No. 2/2022 Bullseye Glass’s biennial exhibition of kilnformed glass—formerly Emerge—debuts this year under a new name: Tg.... Read more

Art of Glass: Emily Endo Interviewed (Variable West)

by May Maylisa Cat April 6, 2022 May Maylisa Cat interviews artist Emily Endo in Variable West : 'I am interested in glass because of the associations... Read more

Bruno Romanelli (Glass Quarterly)

by Emma Park April 1, 2022 Emma Park reviews Bruno Romanelli's work in the Tg: Transitions in Kiln-Glass exhibition at Bellevue Arts Museum in Glass Quarterly... Read more

Kirstie Rea goes solo in Japan (Canberra City News)

By Meredith Hinchliffe March 25, 2022 A chance visit by the director of the Toyama Glass Art Museum to Canberra Museum and Gallery in May, 2017,... Read more

Glass art about animals in the Chernobyl exclusion zone takes on new edge (The Art Newspaper)

By David D'Arcy March 22, 2022 Sibylle Peretti’s glass sculptures, on view in New York and Washington, focus on the wildlife around the Ukrainian nuclear plant... Read more

Collect 2022 / 4 newcomers (The Design Edit)

by Charlotte Abrahams February 24, 2022 Anthony Amoako-Attah, appearing with Bullseye Projects The folds in Anthony Amoako-Attah’s material-defying glass panels are important. A Ghanaian-born PhD student... Read more

Anthony Amoako-Attah awarded Artist of the Fair

Collect 2022 February 24, 2022 COLLECT 2022 ARTIST OF THE FAIR Anthony Amoako-Attah, represented by Bullseye Projects The judges felt that Anthony’s work was... Read more

Five artists to look out for at London's Collect contemporary craft fair (The Art Newspaper)

By Anna Brady February 23, 2022 Anthony Amoako-Attah, Bullseye Projects Anthony Amoako-Attah is currently doing a PhD at the university of Sunderland having studied ceramics at... Read more

Interview: Anthony Amoako-Attah (Alt A Review)

February 7, 2022 Excerpt from Alt A Review : Anthony Amoako-Attah said on being shortlisted [for the Brookfield Properties Craft Award] . “I... Read more

Celebrating outstanding craft (The Guardian)

January 26, 2022 Excerpt from The Guardian : The shortlist for the Brookfield Properties Craft Award has been revealed. The final winner will... Read more

Anthony Amoako-Attah, a Conduit for Culture (Glass Art)

By Joe Samuelson III January 13, 2022 Glass Art • January/February 2022 Along with his academic supervisor Jeffrey Sarmiento, Anthony sought a different path in which he... Read more

Rising stars: 10 makers to watch in 2022 (Crafts Council)

January 12, 2022 Crafts Council Stories • 12 January 2022 Sunderland-based artist Anthony Amoako-Attah, who was profiled in the latest issue of Crafts... Read more

Anthony Amoako-Attah (Crafts)

By Debika Ray January 6, 2022 Beautiful profile of Anthony Amoako-Attah by Debika Ray in the new issue of Crafts magazine. The artist describes how he... Read more

Passage @ The Byre in Scotland (Neues Glas)

by Michael Endo November 1, 2021 Neues Glas - No. 4/20201 Passage is the third project at The Byre and marks a departure, understandably, from previous... Read more

Passage at The Byre (Art North)

September 1, 2021 Art North profiles Passage at The Byre, an exhibition space located in the northernmost county of mainland Scotland. Passage features... Read more

Brooks Shane Salzwedel’s photography, between the possible and the imagined (Lampoon)

August 1, 2021 Brooks Shane Salzwedel's work is presented in in Lampoon Issue 22. Salzwedel is using his inner strength and inner child... Read more

Malia Jensen (Artforum)

by Charity Coleman May 3, 2021 Artforum reviews Malia Jensen’s solo exhibition Nearer Nature at Cristin Tierney Gallery. The show featured five kiln-cast glass sculptures, four... Read more

Matthew Szösz (Glass Quarterly)

by Andrew Page April 1, 2021 Andrew Page inteviews Matthew Szösz about his exhibition Luftschlösser at Traver Gallery in Glass Quarterly Spring Issue No. 162. ...the... Read more

New Glass Review 41

The Corning Museum of Glass October 1, 2020 Congratulations to the artists selected for New Glass Review 41, which includes work by Bullseye artists Vanessa Cutler, Dorie Guthrie,... Read more

Breaking Glass and Gloomy Skies Inspire This Artist (The New York Times)

By Ted Loos May 31, 2020 A beautiful story about Rui Sasaki in The New York Times by Ted Loos , including her postponed work for... Read more

Joanne Greenbaum (Glass Quarterly)

by John Drury March 1, 2020 John Drury reviews Bullseye resident artist Joanne Greenbaum's solo exhibition 'I'm Doing My Face in Magic Marker' at Rachel Uffner... Read more

Movement and Transformation: Glass Sculptures by Heike Brachlow (Neues Glas)

by Uwe Claassen February 27, 2020 Neues Glas - No. 1/2020 Movement and transformation are central concepts in understanding the work of Heike Brachlow. Others are... Read more

Sinter: The unassuming skill of kiln-glass sculpture and design (Neues Glas)

by Michael Endo February 27, 2020 Neues Glas - No. 1/2020 A single crushed shard of glass softens when heated. The jagged irregular surface rounds. If... Read more

Glass Is Tomorrow (True Living of Art & Design)

by TLmag February 24, 2020 TLmag's 'Spotlight On: Glass Artists at Collect 2020' previews Collect 2020. For its 16th edition, Collect is taking over a... Read more

Six must-sees at London’s Collect fair

by Rosanna Dodds February 24, 2020 Rosanna Dodds picks highlights at the international fair for modern craft and design at Somerset House. Back for its 16... Read more

The Fine Art of Craft (London Evening Standard)

by Corinne Julius February 19, 2020 Corinne Julius previews Collect 2020, including work by Karlyn Sutherland, Celia Dowson, and Joshua Kerley in the London Evening Standard... Read more

Best Tinted Love: Glass and resin set a seductive tone (Wallpaper*)

by Christopher Stocks February 1, 2020 Celia Dowson's work was selected for Wallpaper*'s Design Awards 2020, appearing in February 2020 Issue 251. Smoky corals feature in... Read more

Collect 2020: Playing with Fire (Crafts)

Emma Crichton-Miller January 1, 2020 Emma Crichton-Miller discusses Anne Petters work for Collect 2020 in Crafts January/February Issue No. 282. One of the most influential... Read more

Dorie Guthrie "Nocturnal Veils" (Glass Quarterly)

by John Drury December 1, 2019 John Drury reviews Dorie Guthrie's solo exhibition 'Nocturnal Veils' at Bullseye Glass Resource Center New York in Glass Quarterly Winter... Read more

Karlyn Sutherland (Art North)

by Ian McKay December 1, 2019 Ian McKay writes about artist Karlyn Sutherland in Art North Issue 4, Winter 2019. Put simply, Karlyn Sutherland appears not... Read more

Joanne Greenbaum On The Future Of Painting With Glass (Forbes)

by Nadja Sayej November 13, 2019 Joanne Greenbaum is a New York artist who has been painting abstract compositions for over 30 years. Her work, which... Read more

Field Notes at The Byre (Art North)

by Peter Hill October 1, 2019 Peter Hill ventures north to Caithness to observe the installation of Bullseye's exhibition Field Notes, and assess new site-specific work... Read more

Candy Crush (Crafts)

by Trent McMinn September 1, 2019 Trent McMinn writes about artist Joshua Kerly in Crafts September/October 2019. ‘I’ve always had a hands-on approach,’ says Kerley, who... Read more

Emerge/Evolve: Rising Talents in Kiln-Glass (Neues Glas)

by Michael Endo August 19, 2019 Bullseye Projects curator Michael Endo writes in Neues Glas - New Glass No. 3/2019 about the touring iterations of the... Read more

Field Notes from the Byre (Art North)

By Ian McKay July 1, 2019 Ian McKay interviews Bullseye director Lani McGregor and explores the generation of Bullseye's exhibition Field Notes in Art North Issue... Read more

9 Contemporary Glass Artists You Need to Know (Architectural Digest)

by Elizabeth Fazzare May 20, 2019 Architectural Digest takes a look at some of the most exciting glassmakers participating in Corning Museum of Glass's New Glass... Read more

Collect 2019 (THE KINDCRAFT)

By Fiona Coleman April 23, 2019 The 15th edition of Collect , presented by the Crafts Council UK , was held at London’s famous Saatchi Gallery... Read more

Dorie Guthrie Masked Likenesses (Glashaus/Glasshouse)

by Verena Wasmuth April 1, 2019 Verena Wasmuth interviews artist Dorie Guthrie in Glashaus/Glasshouse 4/2019. Guthrie: I have just begun this incredible (Bullseye) residency, which... Read more

Immaterial: An interview with Emily Endo (60 Inch Center)

by Lindsay Costello March 29, 2019 Emily Endo, a multimedia artist based in Portland and Joshua Tree, has returned to the city of Portland for the... Read more

8 Spring Art Exhibits in Portland that deserve a spot on your calendar (The Oregonian / OregonLive)

By Briana Miller March 26, 2019 Craft and deep attention to material are part of this region's artistic DNA. The Pacific Northwest is known for its... Read more

Announcing changes for Bullseye Projects

February 21, 2019 As of June 1, 2019 Bullseye Projects will no longer be operating our Pearl District location. Details are in Bullseye's... Read more

Sign Language (American Craft Magazine)

By Joyce Lovelace November 20, 2017 In Helen Lee’s captivating sculptures, light speaks. “No, what's your real name?” Helen Lee was chatting with her taxi driver,... Read more

RICHARD SPEER RECOMMENDS "MUTUAL INTELLIGIBILITY" (VISUAL ART SOURCE)

by Richard Speer November 11, 2017 The latest entry in curator Michael Endo’s heady, often semantics-based investigations, “Mutual Intelligibility ” takes as its thematic crux the... Read more

Shannon Gormley Reviews "Mutual Intelligibility" (WILLAMETTE WEEK)

WILLAMETTE WEEK PICK November 1, 2017 Volcanic Glass, Crow Themed Art and Three Other Art Exhibits Opening This Week WHERE TO STOP ON THIS MONTH'S FIRST... Read more

Emerging Voices (American Craft Magazine)

by Andrew Ranallo October 6, 2017 We are pleased to announce the 2017 Emerging Voices artist and scholar, as well as our shortlist artists. The American... Read more

10 Portland art exhibits you won't want to miss: Fall 2017 Arts Guide (the Oregonian)

By Briana Miller August 20, 2017 Several of this summer’s rich offerings carry over into the fall, including the group shows organized around the Converge 45... Read more

These 7 Artists Are Testing the Limits of Glass-Making (Artsy)

BY ARIELA GITTLEN August 15, 2017 “Until recently, the scientific community couldn’t agree if glass was a liquid or a solid, which is rather insane,” Cybele... Read more

"EMERGE / EVOLVE at Bellevue Arts Museum" (NEUES GLAS/NEW GLASS)

By Michael Endo August 8, 2017 Emerge/Evolve 2016 culminates its year-long tour of the United States at the Bellevue Arts Museum (BAM) in Washington State. The... Read more

Matthew Day Perez’s material inquiry clearly on display in his first U.S. solo exhibition (Urban Glass)

by Lindsay Hargrave August 8, 2017 “I think of my work as being dichotomous,” said Matthew Day Perez in an interview with GLASS Quarterly Hot Sheet.... Read more

Shannon Gormley REVIEWS "TRANSFORMATIONS" (WILLAMETTE WEEK)

WILLAMETTE WEEK PICK July 5, 2017 Wookies and Horse Heads: The Gallery Openings We’re Most Excited To See This Week Your guide to July's First Thursday... Read more

Fragile Figures: Bellevue Arts Museum displays kiln-glass artistry

by Lisa Edge June 14, 2017 A bright orange spiral sits upright in a glass case. A little over a foot tall, it appears to be... Read more

Richard Parrish's 'Aerial Perspectives' at Resource Center New York

Collected press from the exhibition June 14, 2017 Richard Parrish's solo exhibition, Aerial Perspectives at Bullseye Resource Center New York garnered a significant amount of attention in... Read more

"Rare Form" by Andrew Ranallo (American Craft Magazine)

June 1, 2017 The Rare Craft Fellowship Award, presented by the ACC in association with whiskymaker The Balvenie, recognizes artists in time-honored disciplines.... Read more

Richard Speer Recommends “Suspended Time” (Visual Art Source)

by Richard Speer May 3, 2017 We tend to think of architecture in terms of form and space, but rarely time. The two-person exhibition “Suspended Time”... Read more

Emerge/Evolve 2016: Rising Talents in Kiln-Glass Opens at the Bellevue Arts Museum

April 14, 2017 The Bellevue Arts Museum May 26, 2017 - October 01, 2017 Emerge/Evolve 2016: Rising Talents in Kiln-Glass showcases an... Read more

Bullseye Projects Presents ‘Suspended Time’

Featuring Jenny Trinks and Norwood Viviano March 4, 2017 Bullseye Projects is proud to introduce Jenny Trinks and Norwood Viviano, who will be making their debut at the gallery... Read more

'Hidden Narratives' named one of Portland's Top Ten (Art Ltd.)

January 26, 2017 Bullseye Projects' 2016 exhibition Hidden Narratives was noted as one of Art Ltd Magazine's 'Favorite exhibitions throughout the year.' Richard... Read more

Bullseye Projects featured in Gray Magazine

The director of Portland’s Bullseye Projects discusses her company’s compelling, community-focused vision December 20, 2016 As the experimental “skunkworks” wing of a factory started by artists 42 years ago, Portland’s new Bullseye Projects is on a mission to spotlight the artistic and design potential of kilnformed glass and to do it in the most accessible and inviting way possible. Read more

Jennifer Rabin Reviews Silvia Levenson's "Identidad Desaparecida" (Willamette Week)

Willamette Week Pick November 9, 2016 By Jennifer Rabin In Silvia Levenson ’s piece titled “She flew away ,” a translucent glass swing hangs empty above... Read more

Bullseye Studio Collaboration Winner of 2016 Design Excellence Award

Bullseye Studio + Flux Design + MADE win 'Maker Award – Best In Category' October 26, 2016 Bullseye Studio's collaboration with MADE + Flux Design, the 'Confluence Table' has won the 'Maker Award – Best In Category'... Read more

Silvia Levenson and Bruno Amadi to be awarded 2016 Glass In Venice Prize today (Urban Glass)

September 24, 2016 by Malcolm Morano. Argentinian-born artist Silvia Levenson and Italian glass master Bruno Amadi have just been announced as the recipients... Read more

Silvia Levenson wins the 2016 Premio Glass in Venice Award

September 21, 2016 Bullseye Projects is pleased to announce that Silvia Levenson has received the 2016 Premio Glass in Venice award. The award... Read more

Helen Lee takes top honors in Emerge 2016 (Urban Glass)

September 16, 2016 by Andrew Page. Artist and educator (University of Wisconsin, Madison) Helen Lee took the gold prize at 'Emerge 2016 ,'... Read more

Richard Speer Recommends “Hidden Narratives” (Visual Art Source)

May 25, 2016 by Richard Speer. The phrase “as clear as glass” notwithstanding, not everything made out of glass is optically or thematically... Read more

Richard Speer Reviews "Following Water" (ART LTD.)

January 30, 2016 by Richard Speer In his poem 'Sympathy,' Paul Laurence Dunbar imagined what a caged bird feels 'when the wind stirs... Read more

Hilary Tsai reviews "The Emotional Life of Objects" (Willamette Week)

January 20, 2016 By Hilary Tsai A three-tiered glass cake topped with a pink grenade greets you at Bullseye Projects' wonderland of a... Read more

Anna Mlasowsky, AACG Artist of the Month

August 15, 2015 Artist Anna Mlasowsky has been named artist of the month in the Art Alliance for Contemporary Glass' newsletter. Anna Mlasowsky’s... Read more

Richard Speer recommends "Origins." (Visual Art Source)

August 15, 2015 Bullseye Projects has been taking on some big themes lately: decay, regeneration, urban blight, and now, in the three-person exhibition... Read more

Susan Harlan: Drawing Water @ Portland State University

June 11, 2015 Portland State University's College of the Arts presents Drawing Water, a solo exhibition by Professor Emeritus Susan Harlan, on view... Read more

Cassandra Straubing: A Fragile Narrative @ San Jose Institute of Contemporary Art

May 28, 2015 Through sculptural work, Cassandra Straubing addresses issues of domestic and industrial labor. Glass art is seldom seen in contemporary art... Read more

Announcing the 2015 Bullseye Projects Artists-in-Residence.

April 4, 2015 Since 1974 Bullseye Glass Co. has invited artists in to its factory to collaborate, experiment, and push the boundaries of... Read more

David Stabler reviews "Dark Ecologies," (Oregon Live).

March 18, 2015 Opposites interact in Carolyn Hopkins' disturbing pieces in Bullseye's spacious gallery in the Pearl District. Male/female, tame/untamed, wild/familiar. 'Float, Fly'... Read more

Emerge/Evolve 2014: Rising Talents in Kiln-Glass opens at the Bellevue Arts Museum

February 7, 2015 Emerge/Evolve 2014 began its four location tour in Portland, Oregon at Bullseye Projects (formerly Bullseye Gallery) before it traveled to... Read more

"6 MUST-SEE SHOWS," by John Motley (Oregonian)

January 30, 2015 Last December, Bullseye Gallery was renamed 'Bullseye Projects' to reflect the organization's commitment to programming that goes beyond exhibitions, such... Read more

Richard Speer reviews "Dark Ecologies." (Willamette Week)

January 30, 2015 The first thing you see when you walk into Bullseye’s three-artist show, Dark Ecologies, is Carolyn Hopkins’ beautiful and disturbing... Read more